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The Bosque at Jaconita, Stewart S. Warren |
The doves
fluffed for
February, settled
midway into the sycamore
and without a coo
preened themselves,
diving deep into piles of feathers,
closing the white outlines
of their eyelids
with each plunge.
One, more pink than buff,
finished first and sat quietly
in the smooth
branches,
blinking contently in the tangle
of over draping arms.
When they left I
sat with my hands
folded, one resting on another,
long into the unruffled afternoon.
—Stewart
S. Warren
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Day Two,
Metropolis
Driving nails so
quietly
even my thoughts tip toe
as I unpack on the third floor,
my new apartment complex
five times larger
than the town I just left.
I write to the new owners—
treasure silence, I say,
treasure
deepsky objects
visible with
the naked eye,
the splitting maul you’ll use
to loosen frozen firewood
from the bottom of the pile.
Treasure darkness.A thousand
refrigerators run
in a city block, street lamps,
porch lights, the artificial canopy,
the hum of us all.
Somebody opens up a dragster
on San Mateo Blvd.,
somebody coughs next door.
Soon I’ll let out my breath
and breathe this city as one, join
the hammering, the bleating,
the quickened pulse.
—Stewart
S. Warren
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Bikers Downtown Abq, Stewart S. Warren |
Abiquiu, Moving On
If there’s nothing you demand
you can soar the wild grasslands
all the way to Alberta,
know each trembling feather,
revel in humanity—
you can be the wind
embracing hearts without damage.
At the base of these trees
and along flowered curves
you hear a song in loving memory
to everyone you once knew.
Every thought of love is written
in living rock, then dives
back into the core.
Looking up, you see veils of ice
strewn west by streams of wind,
a cross on every hill.
Sierra Negra,
Black Mesa, Alma Obscura—
they named this table in dark cloth,
but you see light under baskets,
many herons returning.
You pruned the orchard
hard this year,
survived the seasons of it,
burned the slash, didn’t look back,
turned
iron into petals. What now
will be your calling?
—Stewart
S. Warren
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Brujas Across the Water, Stewart S. Warren
(click image to enlarge) |
House of Rain
when this version of the world
is done
You built cities on a hill,
taller and taller; you became the elite,
called us commoners.
Your power is how fast you can pass a stone, shell necklace, electron. Your worth is dependent
on trends, trade routes. Without
water you are a wisp on the wind.
Every crack of your whip ties you
down but we're just passing through.
Your reservation lines
fade on paper, hold only bones.
We're not artifacts, objects
in a glossary of ancient terms.
We are
the spiral journey, a migration. Returning to the
inverted mountain we follow the pearl words
of water dripping in a cave. When your pipes and wires are dust
we'll be standing on the shore of a great interior lake.
—Stewart
S. Warren
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City of Rocks near Silver City, N. Mex.
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City of Rocks
Venus rises, Mercury follows.
The Dipper has set, emptied,
risen again. I rise
like red iron to the surface;
have risen like the morning star
over soft pyramids of hills
and great swells of grasslands;
risen in the heart of wood burning,
through oak leaf starlet clusters,
sunlight speaking to rock.
In the first faint color of sky
coyote families crack into arias,
sing fallen rabbits back to heaven.
I'm at home here—pray
and predator—
god godding into another blue
fire-edged, wild eyed day.
—Stewart
S. Warren
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October 3rd, 2009Where are my slaves now?, you ask.
In front of the TV, of course, like good little children.
Is it really any surprise that a country whose economy was
founded, funded and maintained on the capture, extortion and sale of
human beings finds itself feeding on its own children? It takes a
lot of resources to feed the Maw; it takes a lot of batteries in
series to run the machine. Copper Top, the nickname derived
from Duracell Corporation and given to humans harvested for
their bioelectrical energy in the movie
The Matrix describes, not a futuristic dystopia, but the
current psychic bondage and exploitation of people as an energy
source in relationship to the Media Maw.
Every time we participate in even the most benign interviews and
surveys, many veiled thinly as quizzes (Are you a Pepsi Girl or a
Sprite Girl?) we are telling the Maw exactly where to put the
electrodes. As Leonard Cohen said, “Old Black Joe is still pickin’ cotton for your ribbons and your bows.” And now we might
add, “And your babies give blood in the fields of the mall.”
So what’s the problem with exploiting the undeveloped
sexuality of 9 year old girls, or manipulating the testosterone
of adolescent boys by normalizing violence in TV wrestling? They’re
free to choose aren’t they? Never mind.
If we waste our time with questions like, "Who’s to blame?," we
continue to squander our energy on the Us and Them Game—just more
fuel for the Maw, more postponement. But schemes like trying to get
everyone to quit buying gas next Tuesday or boycotting running shoes
are equally ineffective. A revolution based on one mind at a time,
however,
makes much more sense when we begin to experience the ground of
being from whence we emerge and our potential for joy as we god
our way into existence. One mind, indeed.
Quantum development, suchness and integral spirituality aside,
what would you give for freedom—not you America, but
you the individual reader, you at this moment?
Most of us, most intelligent people, inherently understand the
basics of media manipulation, the psychology of it all. We’re hip
now,
hip to the game, if not to the pervasiveness of the epidemic. But
even among the coolest, turning off TV and staying away from
consumer-driven Internet is, after all, not cool. Translate: too
big an addiction to even consider.Just pose the question to
yourself and notice the mechanism of the mind reel as it throws up
reason after reason why that would be out of the question,
essentially defending why
slavery is preferable to the un-experienced mystery of freedom. And
yet, and still, I invite you...
—treedog
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"In an unprecedented move in the war
against visual pollution, São Paulo, Brazil
banned all outdoor advertising in 2007. São
Paulo made the revolutionary bid to reclaim its
visual and mental environment by denying
corporations the right to disseminate their messages
throughout the urban landscape.

"As the ads disappeared, some
complained that São Paulo looked even worse. They
said it became a bland concrete jungle marred by the
gaping faces of empty billboards. But São Paulo
became a blank canvas and, in the vacuum left by
capitalism, creativity is now thriving." |
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Levitated.net contains visual
poetry and science fun narrated in an object
oriented graphic environment. These pages
are attempting to fasten a usable structure
around a continually evolving computational
ecology, so that it may be observed and enjoyed
by participants of the network. |
September 27th, 2009
After two harried weeks on
FaceBook swimming with minnows, starfish and sharks,
surfing our inherent desire for connectivity, the
inane chatter of the bored and the ever-invasive
schemes of a consumer driven construct, I decided to
retreat to my own domain. I just don't do well
in malls. Forty minutes and I'm whelmed, any longer
and I've allowed something important to be co-opted,
stolen as it were.
It won't always
be so. One day, as in Tales of Power
when the medicine singer, Don Genero, shows up on a park bench in Mexico
City wearing a coat and tie, I'll ride down the
middle of Rodeo Drive, swing the orphans up on my
horse and leave the rest of the curriculum to
tectonics. Until then, find me here.
—treedog
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The Good
Resting Mighty Place
Fine thinking loves to learn dear thoughts.
Love is that resting place! Soft mind that gives interest to mighty sweet thoughts, freeing the sleepy, giving that good feeling. Finding the answer will dearly give the listener beauty. Good that gives an understanding heart. Fine thinking gives the sweet answers.
--Marshall Ball (website
here)
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"In the
instant of simply opening you experience
that whatever you were struggling with
is no longer there. True openness
reveals that the struggle – the problem,
the bogeyman, the wound – is actually
nonexistent.
The
story is not transformed by openness; it
is revealed to be actually nonexistent.
The only thing that holds the story in
place is the resistance to opening.
What
remains, when what was feared or fought
with disappears, is the openness of
existence itself – the truth in the
center of your own heart."
--Gangaji (website here)

play a short video talk by Gangaji
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Integral Enlightenment: Spiritual Practice for an Evolving World
The Great Integral Awakening Audio Downloads
page
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Calumet Says…
excerpt from The Song of It:
A Travelogue of Norteño (see
Books)
Of all the beautiful forms,
grand and intricate, that the
New Mexican landscape expresses
there is one in which I always
feel known and profoundly free,
that of the grasslands of the
Eastern Slope. As the
mural of Calumet on the Grand
Avenue Building in Las Vegas
reports, this is the place
“Where The Great Plains Meet The
Mighty Rockies.” Perhaps
it’s here at the entry to
Norteño that the first two
lessons are made so clear:
You must let yourself be small
in order to enter, and, The land
will choose what it wants to
teach you, and when.
The Eastern Slope has that
trick of perspective that lets
you look out and think you’re
seeing it all in one sweeping
eyeful—then something shifts:
the light, the time of day, the
wind, the cows, whatever, and it
begins all over again.
Because last time you looked you
were on that hill a
quarter mile west, and it was
that time of year, and it
was that sky, and that
thought was in your head, and as
vast and complex as it all is,
it begins to come to you that
the fact of your standing there
and what’s in your heart at the
moment is having an effect on
everything else. It’s hard
to form a solid thought around
all this, and it’s not something
to share with just everyone, but
never the less, there’s a felt
sense that it’s right, and it’s
knowable, and it’s bigger than
anyone ever let on.
—treedog
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Standing Beside the House
I’m halfway there I
tell myself with no clue of what that means. Quick to assign meaning, this mind a meaning making machine.
When it gnaws at the
moment I toss it words; when it sleeps I tiptoe between breaths.
Last night I crossed
the yard to stand beside the house, away from the manufactured earth.
Above me the deep
and present, below me the same. Silence, but that was just a word. I, but no I was there.
—Stewart
S. Warren
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Adrift, Essentially
Fluffy
cottonwood seeds catch in the wispy arms of nodding grass, release, hesitate, drift on solar winds rising from a warm flagstone path.
Twirling
slowly between twigs, humans, telephone poles, they have no need for reincarnation, systems of moral selection, the soul.
—Stewart
S. Warren
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All content
©2010
Stewart S. Warren, Mercury HeartLink |
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