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Send Messages to Stewart Warren (aka treedog) here...
 


treedog, october 2009
 


The Bosque at Jaconita, Stewart S. Warren

The doves 

fluffed for February, settled
midway into the sycamore 

and without a coo preened themselves,
diving deep into piles of feathers,
closing the white outlines

of their eyelids with each plunge.
One, more pink than buff,
finished first and sat quietly

in the smooth branches,
blinking contently in the tangle
of over draping arms.

When they left I sat with my hands
folded, one resting on another,
long into the unruffled afternoon.

Stewart S. Warren

 

Day Two, Metropolis

Driving nails so quietly
even my thoughts tip toe
as I unpack on the third floor,
my new apartment complex
five times larger
than the town I just left.
I write to the new owners—
treasure silence, I say,
treasure deepsky objects
visible with the naked eye,
the splitting maul you’ll use
to loosen frozen firewood
from the bottom of the pile.
Treasure darkness.

A thousand refrigerators run
in a city block, street lamps,
porch lights, the artificial canopy,
the hum of us all.
Somebody opens up a dragster
on San Mateo Blvd.,
somebody coughs next door.
Soon I’ll let out my breath
and breathe this city as one, join
the hammering, the bleating,
the quickened pulse.

Stewart S. Warren

Bikers Downtown ABQ, Stewart S. Warren
Bikers Downtown Abq, Stewart S. Warren

 

Lake Abiquiu with Clouds and Ice, Stewart S. Warren

Piedra Lumbre Basin
of Northern New Mexico

Photo Shoot Winter 2010

 


Abiquiu, Moving On
 

If there’s nothing you demand
you can soar the wild grasslands
all the way to Alberta,
know each trembling feather,
revel in humanity—
you can be the wind
embracing hearts without damage.

At the base of these trees
and along flowered curves
you hear a song in loving memory
to everyone you once knew.
Every thought of love is written
in living rock, then dives
back into the core.

Looking up, you see veils of ice
strewn west by streams of wind,
a cross on every hill. Sierra Negra,
Black Mesa, Alma Obscura—
they named this table in dark cloth,
but you see light under baskets,
many herons returning.

You pruned the orchard hard this year,
survived the seasons of it,
burned the slash, didn’t look back,
turned iron into petals. What now

will be your calling?

Stewart S. Warren

Click for enlargement
Brujas Across the Water, Stewart S. Warren  (click image to enlarge)


 

 
 

 

photograph: Edward Burknsky

 

Two poems from a recent series titled:
Industro-Asian-Grief

The Scene at Taiji
(Dolphin extraction in Japan)

Our Neighbors, Ourselves
(Three Gorges Dam Project in China)

Ennis Lake, Montana - photo: Stewart S. Warren

Winter Healing photo shoot 2010

Idaho and Wyoming

Madison River Valley, Montana

 

 
House of Rain
when this version of the world is done

You built cities on a hill,
taller and taller;
you became the elite,
called us commoners. 

Your power is how fast
you can pass a stone,
shell necklace, electron.
Your worth is dependent

on trends, trade routes. Without water
you are a wisp on the wind.
Every crack of your whip ties you down
but we're just passing through.

Your reservation lines
fade on paper, hold only bones.
We're not artifacts, objects
in a glossary of ancient terms.

We are the spiral journey,
a migration. Returning
to the inverted mountain
we follow the pearl words

of water dripping in a cave.
When your pipes and wires are dust
we'll be standing on the shore
of a great interior lake.

Stewart S. Warren


City of Rocks near Silver City, N. Mex

City of Rocks near Silver City, N. Mex.

 
City of Rocks 

Venus rises, Mercury follows.
The Dipper has set, emptied,
risen again. I rise
like red iron to the surface; 

have risen like the morning star
over soft pyramids of hills
and great swells of grasslands;
risen in the heart of wood burning,

through oak leaf starlet clusters,
sunlight speaking to rock.
In the first faint color of sky
coyote families crack into arias,

sing fallen rabbits back to heaven.
I'm at home here—pray and predator—
god godding into another blue
fire-edged, wild eyed day.

Stewart S. Warren


 
October 3rd, 2009

Where are my slaves now?, you ask.  In front of the TV, of course, like good little children.

Is it really any surprise that a country whose economy was founded, funded and maintained on the capture, extortion and sale of human beings finds itself feeding on its own children?  It takes a lot of resources to feed the Maw; it takes a lot of batteries in series to run the machine. Copper Top, the nickname derived from Duracell Corporation and given to humans harvested for their bioelectrical energy in the movie The Matrix describes, not a futuristic dystopia, but the current psychic bondage and exploitation of people as an energy source in relationship to the Media Maw. 

Every time we participate in even the most benign interviews and surveys, many veiled thinly as quizzes (Are you a Pepsi Girl or a Sprite Girl?) we are telling the Maw exactly where to put the electrodes.  As Leonard Cohen said, “Old Black Joe is still pickin’ cotton for your ribbons and your bows.”  And now we might add, “And your babies give blood in the fields of the mall.”

So what’s the problem with exploiting the undeveloped sexuality of 9 year old girls, or manipulating the testosterone of adolescent boys by normalizing violence in TV wrestling?  They’re free to choose aren’t they?  Never mind.

If we waste our time with questions like, "Who’s to blame?," we continue to squander our energy on the Us and Them Game—just more fuel for the Maw, more postponement.  But schemes like trying to get everyone to quit buying gas next Tuesday or boycotting running shoes are equally ineffective.  A revolution based on one mind at a time, however, makes much more sense when we begin to experience the ground of being from whence we emerge and our potential for joy as we god our way into existence.  One mind, indeed.

Quantum development, suchness and integral spirituality aside, what would you give for freedom—not you America, but you the individual reader, you at this moment?  Most of us, most intelligent people, inherently understand the basics of media manipulation, the psychology of it all.  We’re hip now, hip to the game, if not to the pervasiveness of the epidemic.  But even among the coolest, turning off TV and staying away from consumer-driven Internet is, after all, not cool.  Translate: too big an addiction to even consider.

Just pose the question to yourself and notice the mechanism of the mind reel as it throws up reason after reason why that would be out of the question, essentially defending why slavery is preferable to the un-experienced mystery of freedom.  And yet, and still, I invite you...

treedog
 

 

"In an unprecedented move in the war against visual pollution, São Paulo, Brazil banned all outdoor advertising in 2007. São Paulo made the revolutionary bid to reclaim its visual and mental environment by denying corporations the right to disseminate their messages throughout the urban landscape.

AdBusters.org

"As the ads disappeared, some complained that São Paulo looked even worse. They said it became a bland concrete jungle marred by the gaping faces of empty billboards. But São Paulo became a blank canvas and, in the vacuum left by capitalism, creativity is now thriving."


 
computationally generated walking insects

Levitated Design & Code

Levitated.net contains visual poetry and science fun narrated in an object oriented graphic environment.  These pages are attempting to fasten a usable structure around a continually evolving computational ecology, so that it may be observed and enjoyed by participants of the network.

 

 
September 27th, 2009

After two harried weeks on FaceBook swimming with minnows, starfish and sharks, surfing our inherent desire for connectivity, the inane chatter of the bored and the ever-invasive schemes of a consumer driven construct, I decided to retreat to my own domain.  I just don't do well in malls.   Forty minutes and I'm whelmed, any longer and I've allowed something important to be co-opted, stolen as it were.

It won't always be so.  One day, as in Tales of Power when the medicine singer, Don Genero, shows up on a park bench in Mexico City wearing a coat and tie, I'll ride down the middle of Rodeo Drive, swing the orphans up on my horse and leave the rest of the curriculum to tectonics.  Until then, find me here.

treedog

 

The Good Resting Mighty Place

Fine thinking loves
to learn dear thoughts.
Marshall Ball, poet, teacherLove is that resting place!
Soft mind that gives interest
to mighty sweet thoughts,
freeing the sleepy,
giving that good feeling.
Finding the answer will dearly
give the listener beauty.
Good that gives an understanding heart.
Fine thinking gives the sweet answers.
 

        --Marshall Ball (website here)                 

 

"In the instant of simply opening you experience that whatever you were struggling with is no longer there.  True openness reveals that the struggle – the problem, the bogeyman, the wound – is actually nonexistent.

The story is not transformed by openness; it is revealed to be actually nonexistent. The only thing that holds the story in place is the resistance to opening.

What remains, when what was feared or fought with disappears, is the openness of existence itself – the truth in the center of your own heart."

--Gangaji  (website here)

Gangaji, friend

 

 

 

play a short video talk by Gangaji


Integral Enlightenment: Spiritual Practice for an Evolving World
The Great Integral Awakening Audio Downloads page
 



Calumet Says…

excerpt from The Song of It: A Travelogue of Norteño (see Books)

Of all the beautiful forms, grand and intricate, that the New Mexican landscape expresses there is one in which I always feel known and profoundly free, that of the grasslands of the Eastern Slope.  As the mural of Calumet on the Grand Avenue Building in Las Vegas reports, this is the place “Where The Great Plains Meet The Mighty Rockies.”  Perhaps it’s here at the entry to Norteño that the first two lessons are made so clear:  You must let yourself be small in order to enter, and, The land will choose what it wants to teach you, and when. 

The Eastern Slope has that trick of perspective that lets you look out and think you’re seeing it all in one sweeping eyeful—then something shifts: the light, the time of day, the wind, the cows, whatever, and it begins all over again.  Because last time you looked you were on that hill a quarter mile west, and it was that time of year, and it was that sky, and that thought was in your head, and as vast and complex as it all is, it begins to come to you that the fact of your standing there and what’s in your heart at the moment is having an effect on everything else.  It’s hard to form a solid thought around all this, and it’s not something to share with just everyone, but never the less, there’s a felt sense that it’s right, and it’s knowable, and it’s bigger than anyone ever let on.

treedog
 

stop...just stop.



Standing Beside the House

I’m halfway there I tell myself
with no clue of what that means.
Quick to assign meaning, this mind
a meaning making machine.

When it gnaws at the moment
I toss it words; when it sleeps
I tiptoe between breaths.

Last night I crossed the yard
to stand beside the house, away
from the manufactured earth. 

Above me the deep and present,
below me the same. Silence,
but that was just a word. I,
but no I was there.

Stewart S. Warren

Adrift, Essentially 

Fluffy cottonwood seeds catch
in the wispy arms of nodding grass,
release, hesitate, drift
on solar winds rising
from a warm flagstone path. 

Twirling slowly between twigs,
humans, telephone poles,
they have no need
for reincarnation, systems
of moral selection, the soul.

Stewart S. Warren


 

All content ©2010 Stewart S. Warren, Mercury HeartLink